After battling a very aggressive cancer for over a year, yesterday evening my father chose to not let his illness have the last word. I feel very fortunate that we live in a civilized, humane country, where a person at the end of his life can decide to leave with dignity, without any more needless suffering.
Somewhat related – I would like to apologise to the people coming to tonight’s BNO Romeo Delta evening CUT! in Rotterdam for not showing up. The organisation is looking into rescheduling my presentation at a later date, most probably the next IMG LAB evening on February 20th.
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Posted by Unzipper
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Let me start by wishing you all a terrific 2012. For me personally it looks like the first half of the year is about to get really busy. Exactly one week from now I am doing the first of six presentations – one a month. I will be talking about Two Decades of Trajan in Movie Posters at the BNO Romeo Delta evening CUT! at De Unie in Rotterdam, The Netherlands. The meeting on Monday, January 23 will be entirely dedicated to the magic of the silver screen, but from a designer’s viewpoint. Move over film stars, it’s time for the creators of movie posters, title sequences, art direction and special effects to walk the red carpet. It promises to be a very entertaining event.
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Photo by Jan Middendorp
For the 6th edition of Type An Sich, Catapult presents a selection of Matthew Carter’s typographic work in Antwerp, Belgium. Matthew Carter is an icon of type design who has 50 years of experience in typographic technologies, ranging from hand-cut punches to computer fonts. He is probably the most read type designer in the world. His fonts, such as Verdana and Georgia, are on most people’s computers, and the Miller family is among the most widely used newspaper faces across the world.
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Posted by Unzipper
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Next week, on October 13 & 14 Integrated2011 – the biennial international art & design conference organised by Sint Lucas Antwerp, Karel de Grote-Hogeschool – will take place in deSingel, the Antwerp international art campus. Integrated2011 – already the third edition – is more than ever determined to establish connections between graphic design and other artistic fields and disciplines. The two day conference is ambitious, inquisitive, eager to create a refreshing mix of images, ideas and words, looking at uncovering the complexity of design and any kind of process that may occur in any creative discipline - such is the wide-ranging scope of Integrated. |
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From 10 September until 2 October 2011, students of the Expert class Type design (EcTd) 2010–2011 at the Plantin Institute for Typography will show their work at the famous Museum Plantin-Moretus in Antwerp, Belgium. The EcTd course spanned ten teaching days, spread over roughly eight months. Students this year hailed from Belgium and the Netherlands, as well as one Danish and one English. Eight of the students participate in the exhibition, which opens this Saturday at 12:00.
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Posted by Unzipper
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The upcoming weekend turns out to be very interesting for type enthusiasts in the Low Countries, with two events this Saturday, August 27. The sixth Summer Typosium in Antwerp, Belgium, organised by Initiaal – the student/alumni organisation of the Plantin Institute for Typography – is already sold out. However you can still register for the recently announced first TeaTypeParty in The Hague, The Netherlands. The closing event of the VIDE Summer Type Design Experience features presentations by Karin Langeveld en Cuby Gerards (Trapped in Suburbia), Andrea Fuchs, Donald Roos, Jacques le Bailly, Erik van Blokland, Yomar Augusto, and Rogier Rosema, as well as the participants to the Experience. Recommended!
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I recently received pictures of a gorgeous project by Janno Hahn, a young type designer who collaborates with René Knip of ARK. At the request of a friend Janno designed custom fonts for the tombstone of her deceased father-in-law. His design strikes a marvellous balance between subdued dignity and contemporary elegance.
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Posted by Unzipper
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It was a sad day when Warren Lee announced last year that Nijhof & Lee, the internationally renowned specialists in typography, graphic design and the history of the book, had to close its bookshop in the Staalstraat in the Netherlands. Yet sometimes wonders do exist. Last Wednesday June 15 the bookshop, now affiliated with the University of Amsterdam, opened its doors in its new location in the Special Collections lobby.
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Posted by Unzipper
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For its 55th release, FontFont makes its iconic signature type family FF Meta travel further around the world, adding Hebrew to its character set, and extending the lightest weights – Hairline, Thin, and Light – with Cyrillic. Two fresh new families were added to the roster as well – FF Spinoza, a classic-looking but decidedly contemporary text face, and FF More, Łukasz Dziedzic’s serif companion to FF Good. And as usual a batch of typefaces were converted to Offc TTF and Webfont WOFF/EOT versions. Most importantly FontFont has entirely stopped offering PostScript versions of their fonts, as their complete library is now available in OpenType CFF format.
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Posted by Unzipper
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Thanks to webfonts, 2010 became a ground-breaking year in the type industry. Together with FontFont co-founder Erik Spiekermann, FSI FontShop International made a clear commitment to the new format. Then, on February 24, 2010, FontFont premiered its Web FontFonts. FSI FontShop International was the first type foundry to offer a type collection specifically aimed at web designers. Its number has grown to almost 2,500 FontFonts in .woff and .eot format, with all major FontFont text fonts available in both web font formats. Time for a refresher course.
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Posted by Unzipper
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